Mathematics, Art, and Science

 Mathematics, Art, and Science

In my personal experience, I have seen how mathematics can visually translate into artistic and scientific forms in the past, but this week’s material has highlighted the historical and scientific ways that math can influence art. 

My first insight from this week’s material is the work from Piero della Francesca, who, within the Italian Renaissance era, used mathematics to introduce concepts of perspective into visual art. His interpretation of mathematical concepts visually led to the popularization of linear perspectives and spatial understanding.

The piece “The Flagellation of Christ”, reflects his use of spatial awareness in his artwork.

“The Flagellation of Christ”

My next insight into where mathematics translates into art and science is through the work of Leonardo Da Vinci. Vinci has historically held a vast influence in the sphere of art, but his mathematical interpretations hold significant value in both art and science. Vinci introduced a scientific understanding into art through using mathematical concepts such as geometry and proportion.

The piece “Vitruvian Man”, reflects Vinci’s strong understanding of geometry and mathematical space in forms of creating a visually accurate proportion of the human body.
"Vitruvian Man"



“The Earth is a Man”

Mathematics is interconnected to art and science through the use of mathematical theories and knowledge to further integrate math into visual art. Artists use math in almost every piece of art they create. It’s essential for artists and, especially scientists, to hold a solid understanding of basic mathematics to interpret and translate their work in more efficient ways. The juxtaposition between math, art, and science holds value as mathematics creates a bridge between these three disciplines. Mathematics are essential to further our knowledge and interpretation of both artistic and scientific principles.





SOURCES

“Piero Della Francesca Paintings, Bio, Ideas.” The Art Story, www.theartstory.org/artist/della-francesca-piero/#:~:text=His%20use%20of%20linear%20perspective,their%20subjects%20are%20often%20mysterious.

Henderson, Linda Dalrymple. “The Fourth Dimension and Non-Euclidean Geometry in Modern Art: Conclusion.” Leonardo, vol. 17, no. 3, 1984, pp. 205–10.

Singulart. “Vitruvian Man: A Masterpiece by Leonardo Da Vinci.” Singulart Magazine, 5 Dec. 2023, www.singulart.com/en/blog/2023/12/05/vitruvian-man-leonardo-da-vinci/. 

Matta. “The Earth Is a Man.” The Art Institute of Chicago, Modern Art, 1 Jan. 1970, www.artic.edu/artworks/117188/the-earth-is-a-man. 

Abbott, Edwin Abbott. Flatland: A Romance of Many Dimensions. Seeley & Co. of London., 1884. 




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